The Last House On The Left 2009 Aktuell im Streaming:
Nur ein paar schöne Tage in ihrem entlegenen Haus am See wollten sich die Collingwoods machen. Doch daraus werden die grauenvollsten Stunden ihres Lebens. Für die junge Mari und ihre Freundin Paige wird die Nacht zum mörderischen Alptraum als sie. The Last House on the Left ist ein US-amerikanisches Horrorfilm-Remake des gleichnamigen Films aus dem Jahr Regie führte der. The Last House on the Left ist eine Weiterleitung auf diesen Artikel. Für das Remake siehe The Last House on the Left (). Film. Deutscher Titel, Das letzte. The Last House on the Left (). Originaltitel. The Last House on the Left. Startdatum. FSK. Regie. Dennis Iliadis. Darsteller. Monica Potter. die Rezensionen von Kunden und Kritikern und kaufe den von Dennis Iliadis gedrehten Film „The Last House On the Left ()“ für 9,99 €. The Last House on the Left ist das gleichnamige Remake des Erstlingswerks von Wes Craven aus dem Jahre Last House on the Left: Horrorfilm/Exploitationfilm/Splatter- & Gore-Film von Wes Craven/Sean S. Cunningham mit Tony Goldwyn/Martha.
I totally expected to be the one tortured when watching, well I should have left my preconceived notions at the door. The acting was sharp, the plot devices made just enough sense that it never broke my disbelief and I admittedly had to briefly look away from some scenes.
The setup was stellar and the ending did not disappoint. I give it a 7 but if it was possible I would have given it a 7.
Good for the genre and great by comparison of other remakes. I would definitely suggest it to anyone that enjoys the genre. Looking for some great streaming picks?
Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends.
Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords.
Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.
Trailers and Videos. Into The Dark: Season 2. Lovecraft Country: Season 1. The Mandalorian: Season 1. Saturday Night Live: Season Orphan Black: Season 5.
Watchmen: Season 1. The Walking Dead: Season Certified Fresh Pick. View All. Holiday Movie Guide Fall TV Log in with Facebook.
Email address. Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes. You may later unsubscribe.
Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email.
Please click the link below to receive your verification email. Cancel Resend Email. The Last House on the Left Add Article.
The Last House on the Left Critics Consensus Excessive and gory, this remake lacks the intellectual punch of the original. See score details.
Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?
Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Photos Movie Info. Mari and her friend look forward to a holiday at the remote Collingwood lakehouse, but instead an escaped convict Garret Dillahunt and his crew kidnap them and later leave them for dead.
Mari makes her way back home, where her parents, John Tony Goldwyn and Emma Monica Potter , have unwittingly offered shelter to the thugs.
When John and Emma find out what happened to their daughter, they decide to make the strangers rue the day they harmed Mari.
Dennis Iliadis. Carl Ellsworth , Adam Alleca. Aug 31, Tony Goldwyn Dr. John Collingwood. Monica Potter Emma Collingwood. Garret Dillahunt Krug.
Aaron Paul Francis. Sara Paxton Mari. Riki Lindhome Sadie. Spencer Treat Clark Justin. Martha MacIsaac Paige. Michael Bowen Morton.
Joshua Cox Giles. Dennis Iliadis Director. Carl Ellsworth Screenwriter. Adam Alleca Screenwriter. Wes Craven Producer. Michael Phillips.
Hinges on humiliation and vengeance, which makes it like most other modern horror titles. Its focus on sexual assault, however, puts it in a different, more primal league.
Read full review. Stephen Cole. Horror fans anticipating grisly laughs are in for a jolt. Because the new Last House, though terrifying, is never, ever fun.
Michael Rechtshaffen. Adheres sufficiently closely to the original template so as not to offend purists and manages to pack an intensely visceral punch of its own, most effectively in the extended setup.
Wesley Morris. Like the current hit "Taken," Last House packs a vicarious jolt that might feel cathartic to certain moviegoers.
Nick Pinkerton. This new House tries to sustain a grave, heavy sense of threat. It fails, through its villainy.
Pete Vonder Haar. The rape scene is, admittedly, as brutal as any I've seen in recent memory, but much of what Iliadis shows us is a direct riff on the original.
Michael Sragow. User Score. Write a Review. User Reviews. JaneR Mar 21, Not as good as the original but still effective.
MirandaH Aug 29, This movie was pretty good. But it also was pretty messed up. If your queezy I would not recommend This movie for you.
Little kids should defenitly not watch it either! I haven't seen this in a couple years, so my memory of it was a little fuzzy.
Now I know that it was far better than I expected. A huge improvement to the original was a consistently dark atmosphere.
In Wes Craven's version, it felt silly at times, namely the scenes with the cops and the I haven't seen this in a couple years, so my memory of it was a little fuzzy.
In Wes Craven's version, it felt silly at times, namely the scenes with the cops and the whole "Willow" stuff. This remake was also a lot more intense and suspenseful, and the danger felt a lot more real.
The ending may somewhat blunt the movie's overall effect, but, hey, how often do you get that sort of ending in a horror movie?
The rape scene was very difficult to sit through because it was so long and realistic, which is my only real complaint.
Good for the genre and great by comparison of other remakes. I would definitely suggest it to anyone that enjoys the genre. Looking for some great streaming picks?
Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page.
Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.
Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Director: Dennis Iliadis. Available on Amazon. Added to Watchlist. From metacritic. Top 30 Highest-Grossing Horror Remakes.
Watched Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Garret Dillahunt Krug Michael Bowen Morton Josh Coxx Giles as Josh Cox Riki Lindhome Sadie Aaron Paul Francis Sara Paxton When the couple go after Krug and Sadie, they find Justin in possession of Krug's gun; Justin gives the gun to John so that he can kill Krug.
Sadie awakens and interrupts John, allowing Krug to escape from the couple: he then realizes that they are Mari's parents. After Emma shoots Sadie in the head, John chases Krug.
With a combined effort from Emma, John, and Justin, Krug is knocked unconscious. John, Emma, Mari, and Justin then leave in the boat for the hospital.
Later, John returns to the cabin, where he has paralyzed Krug from the neck down. John places Krug's head in a microwave.
As John walks away, Krug's head explodes, ultimately killing him. The company intended to preserve the storyline of the original film.
In , he did not have the budget to film every piece of the story he wanted to tell. With the remake, a larger budget allowed the filmmakers to pace themselves more during filming, taking more care while shooting, and expand the scope of the story more.
One of the ways to accomplish this was for the producers to find a "rising young director to bring a new perspective for the story". According to the producers, who were impressed with Hardcore —which explored the world of teenage prostitution—director Dennis Iliadis was the person they were looking for.
Co-producer Cody Zwieg stated, " Hardcore wasn't a genre or a horror film but showed completely believable characters in horrific, realistic situations.
Many directors could handle the surface elements, the blood and shock moments of Last House , but Dennis proved that he could do it all without exploiting his characters and their situations.
An early draft for the remake had moved the setting to northern California, and altered the third act to include elements of the supernatural.
When that script was rejected, Carl Ellsworth was brought in to touch up the script written by Adam Alleca. Ellsworth had previously worked with Craven on Red Eye , but had never seen the original film.
After reading the script and watching the film, the latter he found difficult to watch because of its extreme nature, Ellsworth decided that the first thing they needed to do was to establish someone whose survival you wanted the audience to root for.
The writer wanted to know how the "typical family" would react to such a heinous act being perpetrated on their daughter, and what they were truly capable of.
They were never sure how much of the Krug family needed to be seen, what elements from the original film should be included, or even if Mari should live or die.
One of the changes that Ellsworth made was keeping Mari alive, as the character is found dead in the original film. The writer believes keeping Mari alive when her parents find her adds to the suspense, because there is now a "ticking clock" for the parents to get their daughter to the hospital.
Director Iliadis wanted to give Mari a "big character trait" that could be used as a coping mechanism for the character, as well as become an important component to her escaping Krug.
As Iliadis explains, "Well the idea was to find something where she channels all her energy and that was a big character trait because her brother is dead.
It's like she's carrying him on her back. She needs to perform for two people now. She has to compensate for him so all her energy is in the water.
The only area where she feels slightly free is when she's in the water swimming like crazy, so it's interesting having that as a character trait, and then having that as a key element for her trying to escape.
The writer changed the fate of another character, Krug's son Justin attempting to give the audience a better "sense of hope". He also stated that he likes the fact that John Collingwood is a doctor who actually gets to use his skills in the film, unlike in the original where the character is merely identified as being a doctor.
Craven comments, "[it is] an extraordinary moment" when John is forced to improvise a way to restore a collapsed lung; "It made it real.
He asserts that the film does not have a happy ending, but that there is some hope left at the end. Initially the director feared that they were "wussing out" with the ending; he eventually decided that what you really see is a family that has physically survived this encounter, but are "dead in many ways".
Iliadis expressed that he did not want to go the way of " torture porn ", which is what he sees most horror films moving toward, but instead show a sense of "urgency" with the parents' actions.
When casting for the film, Iliadis wanted to find actors who would not portray these characters in a stereotypical way. As Craven explains, they wanted someone who would take these characters in a direction that most actors would not—they wanted originality.
Craven states, "You need an actor who can bring a complete sense of commitment to that character without making it silly and not be afraid to go in there to the point where someone might say, 'Oh, you got bad in you?
Iliadis notes that when Sara Paxton came in her audition was "good", but it was this sense of intelligence and intensity that Paxton brought with her.
The actress also had the "innocent face" the director was looking for, someone who had this "wholesomely American look" that would not allow anyone to enjoy watching her go through these intense events.
Iliadis auditioned dozens of actors before he hired Garret Dillahunt for the role of Krug, the leader of the family that kidnaps Mari. According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted.
In Iliadis's opinion, "the most sadistic criminal will smile"; when Dillahunt came in he brought a slyness to the character, and created "ambiguity and subtleties" to the character that Iliadis liked.
Dillahunt attempted to humanize Krug by approaching the character more as a man who feels some love for his son, but is bitter about how his life has turned out and is fearful that he is losing his position as the leader.
He further clarifies that Krug fails to take responsibility for his own actions, instead blaming others, and prefers to deliver his own "twisted justice" to those he feels have wronged him.
Dillahunt took inspiration from Andrew Cunanan , the man who killed Gianni Versace , when he recalled the brutality in which Cunanan murdered a man just for his car.
Dillahunt recalls how an FBI profiler noted that this type of rage is typically directed toward someone the perpetrator knows, yet Cunanan managed to pull some element from his own life and place it on this random person who attempted to stand his ground against the would-be carjacker.
To Dillahunt, that was how he wanted to approach Krug. To him, Mari actually shows that she is not afraid of Krug, which causes him to go "crazy".
That being said, the actor felt like the scene where his character rapes Mari was one of the hardest things emotionally to film.
On the other hand, he felt uncomfortable acting out such a scene with a person he considered to be a friend. At the time Riki Lindhome was called in to audition for the role of Sadie, December , she had not heard of Craven's original film.
On the day of her audition, Lindhome was informed that she had missed her scheduled appointment and that she would need to return come January.
Lindhome took the time to watch the original movie and read an article in Vanity Fair about the film, giving her some familiarity with the story and her role when she went to audition.
Lindhome says she finds her character "creepy for no apparent reason", because the film does not attempt to justify why the three antagonists do what they do.
The actress characterizes Sadie as being "equally as bad as [the men]", being just as vicious as the others. Lindhome admits that early in production it was easier for her to detach herself from the violent character she was portraying, but as filming continued and the cast grew closer she says that it became more difficult and "upsetting" to perform some of the scenes.
According to Lindhome, as a response to seeing how some of the scenes were affecting the women, the producers sent Paxton, Lindhome, and Martha MacIsaac to a spa for a weekend.
Before filming started, some of the actors had to undergo various training exercises for their roles.
Dillahunt, Lindhome, and Aaron Paul —the latter portrays Francis—had to take part in gun training, while Sara Paxton had to get up each morning for swimming lessons so that she looked like an experienced swimmer.
It was Iliadis's hope that space to rehearse their roles, and then time during filming to develop their characters individually, would help them to trust Iliadis as the director more.
Craven chose to give Iliadis his freedom while filming the remake, partially because Craven was in the process of working on a new film for himself, but also because he likes to allow the directors the chance to make their own film.
Iliadis stated that he felt the intercutting of comedic scenes with the rape scene in the film had the tendency to take one out of the moment.
Iliadis wanted to "cut those diversions out", as a way of "[throwing the audience] into this scene with no place to cut away to". For Iliadis, taking this approach helped to create more drama for the event.
Lindhome states that the technician would explain how someone would react given a particular event, like getting shot or stabbed. As the director points out, Hardcore contained "very difficult scenes", like a sixteen-year-old girl having an "existential breakdown during an orgy", and Iliadis sees those scenes as training for him to learn how to make sure the actors are still being respected, as well as making sure that the scene is focused on the characters instead of simply going for "titillation".
For the ending of the film, Iliadis and the rest of the creative team chose to include the song "Dirge", by psychedelic rock band Death in Vegas.
Iliadis was hoping to find something that was both "ironic" and "innocent" at the same time, given the events in the film that would precede its usage.
To the director, the choice helped to illuminate the fact that nothing will be the same for this family again. Craven explains, "I also found it interesting that the Dr.
So I also found it intriguing that we're just seeing these wonderful, perfect people but the father comes back and goes out of his way to do this.
The biggest setback by the board involved the rape scene. In the original cut of the film, the scene was at least one minute longer, but the board forced the scene to be trimmed if the filmmakers wanted an R-rating.
There were other minor aspects trimmed as well, like an extended stabbing sequence with Paige. What shocked Craven was when the MPAA told them that this was a "special" film that did not "need" the extension on those scenes.
Craven believed that the MPAA viewed the film more as an artistic horror film, which he sees as both a blessing and a curse.
In Craven's experience, once the MPAA becomes focused on certain elements they dislike in horror films that they otherwise like, they become determined to see it removed before release.
The site's critics' consensus reads: "Excessive and gory, this remake lacks the intellectual punch of the original. The San Francisco Chronicle ' s Peter Hartlaub felt the remake departed from the traditional template used by more recent remakes—"include twice as many kills, [find] boring young actors from TV shows, rewrite the script so you lose everything interesting about the original, [and] make up an excuse to add cell phones"—which ultimately made it far more effective.
Hartlaub cited the script, which he felt devoted as much time to character development as "carnage", and the "good acting", particularly Tony Goldwyn, as reasons why this remake succeeds.
Smith also commended Dillahunt's acting, as well as Iliadis's "casual, matter-of-fact approach that multiplies the horror to an almost unbearable level".
Puig felt that the killing scenes were too drawn out, noting the technique was down to heighten the effect, but actually comes across more as "repugnant and fetishized violence".
She also noted that the parents seemed to find enjoyment in exacting their revenge, even when their daughter lay dying in the next room.
Neumaier suggests that the film's violence fails to create the sense of "theatricality of the Saw or Hostel films", or even provide audiences with "the unkillable-monster nostalgia of [the] Friday the 13th re-do".
Neumaier also states that the film lacks the reasoning to exist that Craven's original had, which was to push the "boundaries of cinema's new permissiveness".
When comparing the film to its counterpart, Newsday ' s Rafer Guzman stated that Iliadis's film contains better "production values" than the original, but overall it keeps the "marrow of the story".
Guzman suggests that some of the violence may have ventured too close to hysteria, and that this film is not like The Virgin Spring —which Guzman reminds that Roger Ebert "famously compared the original to"—but overall the film is "horribly, shamefully satisfying".
Phillips noted that the film was well written—apart from a couple of moments that felt like they belonged in a different movie—well acted, and contains characters that seem like "real people [with] plausible behavior, amid plausible tension, borne of a terrible situation".
He also suggests that, contrary to other critic opinion, the remake does not attempt to follow the current trend of Hostel or Saw -like films simply because audiences are gravitating toward them as of late.
Olsen points to what he feels is the addition of unnecessary back story for the family, and Iliadis's choice to film the rape scene in a "verdant, scenic forest", which gave the sequence an "art-directed falseness, draining the audience-implicating authenticity and replacing it with the easy distance of knowing entertainment".
Dennis Harvey of Variety believed that the film lacked in comparison to the original in almost every aspect. Harvey felt like the film spent more time trying to please current horror conventions than create an effective update to Craven's film.
Harvey criticized the choice of changing a "credibly ordinary family" into "typical modern movie-fantasy clan". He also noted that Dillahunt's portrayal of Krug is no match for David Hess.
The Last House On The Left 2009 Contribute to This Page Video
Last House on the Left (2009) Spoiler Review
The Last House On The Left 2009 Navigation menu Video
THE LAST HOUSE ON THE LEFT (2009) Trailer German DeutschThe Last House On The Left 2009 - Darsteller und Crew
Jonathan Craven. July by Ente knusprig gebraten..jpg "The Last House On The Left 2009")
Als Mari erfährt, dass ihre Jugendfreundin Paige auch dort ist, willigt sie sofort ein. The Grudge - Der Fluch. Während ihre Freundin stirbt, kann sich die angeschossene Mari ins Haus ihrer Eltern schleppen. Goldeneye Besetzung verliert dabei ihre Bofimax mit einem Anhänger ihres verstorbenen Bruders. Der Exorzismus von Shazam Streamcloud Rose. You can Die Goldfische Film see Mari opening her mouth wider as John's hands move away from Mari. After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging Brandon Lee Todesursache the parents of one of the victims: a mother and father who devise an increasingly gruesome series of Bofimax tactics. Read full review. Real Quick. Justin is the only one to deduce that the inhabitants, John Jumanji Fsk Emma, are Mari's parents, and intentionally leaves Mari's necklace on the counter to alert them about their daughter. The Last House on the Left. ()1 Std. 49 Min Ein Familienurlaub in idyllischer Umgebung endet in einem Blutbad, bei dem die Opfer zu Tätern. The Last House on the Left () (Unrated). English · DVD. US Version | Region code 1. Important note: This article is only playable on code-free devices or. The Last House on the Left (). Remake von Wes Cravens Horrorfilm "Das letzte Haus links" ()User-Film-Bewertung [?]: unterirdisch schlecht. The Last House On The Left 2009 Movies / TV Video
Dirge August by Julian. Nur Mari gelingt es angeschossen zurück zu Girl Online Eltern zu gelangen. Doch als sie die Wahrheit herausfinden, üben sie grausame Rache Keine Top Blu-ray. John steckt den Kopf des Vergewaltigers und Mörders in die Mikrowelleschaltet diese ein Inglourious Basterds 2 bringt damit den Schädel zum Platzen. Kommentar speichern. Martha MacIsaac. Als sie einen weiteren Fluchtversuch antritt, Online Filmek Im sie in einen See.
Sehr gut.